vin. (
indispensible) wrote2014-07-04 04:04 pm
twelve. spam & voice. the sound when we come running. ( backdated post-port. )
voice } helena ( backdated )
Did you die? Did you kill anyone? [These seem like the two most likely options.]
voice } lydia ( backdated )
You got separated. You should learn self-defense. [This vaguely reproachful, which is a coded way of saying god that sucked, are you okay.]
voice } elsa ( present dated )
[She waits to get in touch with Elsa, who seems as easily overwhelmed as Vin was herself, not very long ago. Still, the desire to check in nags at her, and eventually she gives in.]
I'm worried about you. [It's simultaneously frank, honest, and very forward, but it seems like the right thing to say all the same.]
spam } stark ( backdated )
[She has been texting him incessantly and, of course, he hasn't been responding. She doesn't know why she's surprised. But she knows where to find him, at least. In the bar or in his cabin.]
[The bar's almost empty and he's not in there, so she slips up to his room and opens the door before he can voice an objection. Her look is steely; she knows he's done something or he wouldn't be avoiding her, but she doesn't know what.]
Why are you hiding?
open spam } present dated
[Today Vin is in the art room - or rather, the annex off of the art room that holds the piano. She is sitting at it, but not playing it, because she doesn't know how to. Instead, she is considering it, leafing through the music that she found in its bench, and arranging it in various patterns across the keyboard in an effort to make sense of it.]
[So far she hasn't had any luck, but she seems absorbed in her work. It's like learning a foreign language with no guide whatsoever. She can't help but imagine Sazed would be fascinated.]
Did you die? Did you kill anyone? [These seem like the two most likely options.]
voice } lydia ( backdated )
You got separated. You should learn self-defense. [This vaguely reproachful, which is a coded way of saying god that sucked, are you okay.]
voice } elsa ( present dated )
[She waits to get in touch with Elsa, who seems as easily overwhelmed as Vin was herself, not very long ago. Still, the desire to check in nags at her, and eventually she gives in.]
I'm worried about you. [It's simultaneously frank, honest, and very forward, but it seems like the right thing to say all the same.]
spam } stark ( backdated )
[She has been texting him incessantly and, of course, he hasn't been responding. She doesn't know why she's surprised. But she knows where to find him, at least. In the bar or in his cabin.]
[The bar's almost empty and he's not in there, so she slips up to his room and opens the door before he can voice an objection. Her look is steely; she knows he's done something or he wouldn't be avoiding her, but she doesn't know what.]
Why are you hiding?
open spam } present dated
[Today Vin is in the art room - or rather, the annex off of the art room that holds the piano. She is sitting at it, but not playing it, because she doesn't know how to. Instead, she is considering it, leafing through the music that she found in its bench, and arranging it in various patterns across the keyboard in an effort to make sense of it.]
[So far she hasn't had any luck, but she seems absorbed in her work. It's like learning a foreign language with no guide whatsoever. She can't help but imagine Sazed would be fascinated.]

private voice;
private voice;